Recording
Information
We will be
recording at St Anselm’s in West Chezzetcook. Drive
organization will follow!
The Sunday
evening time is the “just in case time”, but please plan to be there and we
will be released early if possible.
LunaSea
Information
Footwear –
Xara shoes (basically just black ballet slippers)
Here is the
list of costume numbers for each show :
And the list of people with tuning forks:
| Friday | Sat (AFT) | Sat (EVE) | Sunday | |
| Group 1 - Forker | Shannon | Nelle | Kallie | Zoe |
| Group 2 - Forker | Jenny | Zoe | Kristin | Kallie |
| Group 3 - Forker | Joanna | Leah B | Jenny | Nelle |
| Vem kan segla Forker & Huldravisa Conductor | Shannon | Nelle | Jenny | Nelle |
(sorry for the formatting, I hope it is clear enough!)
Vem kan segla pitch will be given by someone with a fork, with a breath intake to begin. (Christina will send out a metronome marking for you to practice with)
Then straight
into Be Like the Bird (B Natural) in
time and with choreography (Sop 2, Sop 1, Alto 1, Alto 2). Take the tempo and
start note from Vem kan segla.
After the
first room, transition between rooms in the first act is the slow motion Be Like the Bird (B Natural) that we
rehearsed today. The pitch giver in the longest room begins with the word “Be”
and everyone joins in as they hear it. Keep going until you are at your next
room, and then fade away. The
distance from room C to room A is the longest journey (backyard to third floor),
just be aware of that.
At the
start of Intermission something will happen (TBA on Thursday) to get you back
to the Green Room. At the end of Intermission, something else will happen.
In Act Two : The group who is at the longest room will
start Be Like the Bird (B Flat) together
in unison. When the second phrase starts, the second soprano keeps going, and
the others split off and join as indicated (Sop 2, Sop 1, Alto 1, Alto 2)
After the final room : The longest room will cue the start
of Sister Song (the singers in that
room will sing the first phrase in unison, and then the round will begin) then
you will move outside.
End of the Show (backyard) : Huldravisa will be directed by someone with
their head. Note will be taken from the end of Sister Song
Homework
Read the
poem for Day Dawn, and let it live inside you as a piece of text in order to
really get a sense of the full arc of the piece. Then, look at each phrase of
the poem in the context of the music. There will be a quiz ;-)
Ice
If you were absent, please make sure to get
phrasing notes from someone in your section
·
Check
your AH vowel, and constantly re-evaluate throughout the piece
·
Try
to make a “cold” sound, not breathy
·
Whenever
a “word” (or consonant) appears under a note, rearticulate. Otherwise, treat it
as a slurred vowel.
·
Breath
marks for everyone in Choir 1 are as follows:
o
End
of measure 6
o
Quick
breath in the last measure of page 2
o
Quick
breath pick-up to D
o
Sop
1 & 2 after beat 2 in measure 42, Altos breathe at the end
o
NO
BREATH after the pause in measure 44
·
Choir
2 only breathe where silence is shown in the music
Pseudo Yoik LIte
·
Really
solidify from measure 36 – 40
·
Practice
this piece with a metronome beating steady quarter notes
Day Dawn
If you were absent, please make sure to get
emphasis notes from someone in your section
Here on These Branches
If you were absent, please make sure to get
breath marks from someone in your section
• The “traps” in this piece are
measures with three quarter notes (particularly all on the same note) that lead
to something more interesting. It tends to come out very punchy, which is not
what we’re after. Make sure the quarters lead toward the next measure. An
exception to this is when the text is “What can this be?”
Satakieli
• Review pronunciation based on the
notes Christina gave in rehearsal today (if
you were absent, please make sure to check with a member of your section)
• Sop 2s make sure to solidify the
last measure of page 1
• Note that double consonants in
Finnish need to be observed (more so than in English)
Winter
Score study – go through the score and make
note of all the complexities (tempo, dynamics, phrasing, text etc)
Typo on the
bottom of page 8 in the Alto line : 4th system, second measure,
“nipp’d” should be an 8th note.

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